Markleyville
vogue-kingdom:

stylexdelarue:

models & streetstyle

100% street style here xx

vogue-kingdom:

stylexdelarue:

models & streetstyle

100% street style
here
xx

(Source: modelsfreja, via adevil-maycare)

Posted 6 days ago with 247 notes
iamjapanese:

Charles B. Keeler(American, 1882-1964)
In the Street of Life and Death, Segovia   1927
aquatint

iamjapanese:

Charles B. Keeler(American, 1882-1964)

In the Street of Life and Death, Segovia   1927

aquatint

Tags: #charles b. keeler #art
iamjapanese:

William Anderson Sherwood(American, 1875-1951)
Trees Along a Canal    1925
Color Etching & Aquatint

iamjapanese:

William Anderson Sherwood(American, 1875-1951)

Trees Along a Canal    1925

Color Etching & Aquatint

Tags: #william sherwood #etching #art
gacougnol:

Yves KleinPeinture feu couleur sans titre (FC 7), 1961, 83 x 66 cm.

gacougnol:

Yves Klein
Peinture feu couleur sans titre (FC 7), 1961, 83 x 66 cm.

(via wowgreat)

Tags: #yves klein #painting
iamjapanese:

Leonor Fini(Argentine, 1907-1996)
Bondage   1980
Lithograph in colour

iamjapanese:

Leonor Fini(Argentine, 1907-1996)

Bondage   1980

Lithograph in colour

timelightbox:

Photograph by Marco Breuer—Yossi Milo Gallery, New York


Is this (not) a photograph? How did we get here? How did art photography go from, say, an Ansel Adams landscape to pieces of distressed paper with no referential images at all?

Lyle Rexer, author of ‘The Edge of Vision: the Rise of Abstraction in Photography,’ writes for LightBox about a new exhibition at ICP questioning the limits of what we’d consider a photograph.

timelightbox:

Photograph by Marco Breuer—Yossi Milo Gallery, New York

Is this (not) a photograph? How did we get here? How did art photography go from, say, an Ansel Adams landscape to pieces of distressed paper with no referential images at all?

Lyle Rexer, author of ‘The Edge of Vision: the Rise of Abstraction in Photography,’ writes for LightBox about a new exhibition at ICP questioning the limits of what we’d consider a photograph.

(via wowgreat)

undr:

Leonard Freed
The Netherlands, 1964

undr:

Leonard Freed

The Netherlands, 1964

(via adevil-maycare)

aduhm:

reblog if u a lil ugly

(via reptilianilluminati)

(Source: elisebrown, via froufrouu)

adapto:

Jorge Young

adapto:

Jorge Young

(via wowgreat)

bambi-belleoftheball:

THIS IS SO IMPORTANT 

THE MEDIA NEVER SHOWS THIS SIDE OF KANYE

(via wespeso)